This is without doubt the most exciting performance I have seen from the Metropolitan Opera, in addition to being one of the best operatic DVDs ever to have been issued.
Robert Carsen´s simplistic sets provide the ideal background for a production with the focus on Dmitri Hvorostovsky´s marvellous Eugene Onegin. He is simply the Eugene Onegin of the century: Ideal in both physical appearance and voice: The haughty manners, perfectly smooth legato lines combined with superb acting, way above his usual standard, perhaps influenced by Renée Fleming´s moving Tatiana. They have superb chemistry on stage and the final scene is simply unforgettable. Also a fine though slightly dry performance from Ramón Vargas as Lenski.
Where I would have expected Valery Gergiev to sparkle in the pit, I rather found him slightly hollow, in what approached an off-night by his own standards.
They bring this story alive in one of the most searing operatic performances I have ever witnessed. Helped by Pusjkin´s great and eternally relevant story of love and rejection.
My only complaint is that this is spread out on 2 discs, while it could very well have fitted into one.
Initially I though, this would be the undisputed best DVD version of Eugene Onegin for years to come. However, merely a couple of months later, the dark, brooding 2007 Salzburg production conducted by Daniel Barenboim emerged, meaning that two of the best operatic DVDs on the entire operatic DVD market are 2007 productions of Eugene Onegin. And yes, Barenboim does beat out Gergiev in musical depth. And Peter Mattei is the equal of Dmitri Hvorostovsky. Both versions are essential viewing.
Renée Fleming and Dmitri Hvorostovsky in the final scene:
The bottom line (scale of 1-5, 3=average):
Dmitri Hvorostovsky: 5
Renée Fleming: 5
Ramon Vargas: 4
Robert Carsen´s staging: 5
Valery Gergiev: 4
Overall impression: 5