- When this production opened in 2011, critics generally rated it between "dull" and "disastrously dull". They are right.
- Michael Grandage is a renowned British theater director and it was a reasonable assumption from Peter Gelb that he could provide interesting insights.
- At opening night Mariusz Kwiecien was replaced by Peter Mattei, a fact many critics felt may have had significantly negative impact on Grandage´s vision.
- For the HD transmission Mariusz Kwiecien was back and it was still dull.
- Action takes place mainly in front of a set consisting of a three-tiered balcony mansion.
- The relationship between the Don and Leporello is played out interestingly, though, with the latter a lesser sophisticated mirror of the former - but no really new insights here and seen many times before.
- Musically it was superb, however.
- Mariusz Kwiecien is a classy and elegant Don with a smooth, silky baritone. Top in the world for this part, together with Peter Mattei and Gerald Finley, in my opinion.
- Luca Pisaroni presents with a roguesque, vocally solid Leporello
- Excellent house debut for Marina Rebeka - a shining clear, almost steely soprano. A first-rate Donna Anna, only a bit more dynamics in her singing and acting and she would be among the greatest.
- Barbara Frittoli is elegant as Elvira, unfortunately her vibrato has become rather wide
- Mojca Erdmann disappointed as Zerlina with irritating acting and a shaky voice. I am not at all sure she is the rising star some have made her to be.
- Joshua Bloom makes the most out of his opportunities as Massetto.
- As does Ramon Vargas as Don Ottavio - not an easy part to make interesting.
- Fabio Luisi was superb in a slow, grandiose reading of the score.
The bottom line (scale of 1-5, 3=average):
Mariusz Kwiecien: 5
Luca Pisaroni: 4
Marina Rebeka: 4-5
Barbara Frittoli: 4
Mojca Erdmann: 2
Joshua Bloom: 4
Michael Grandage´s production: 2
Fabio Luisi: 4-5
Overall impression: 3
If you're looking to go to your first opera which one would you suggest?
ReplyDeleteI always suggest Carmen. Its plot is timeless and dramatic, so it is neither confusing, dated, silly, or boring. Because its melodies are so well-known it makes this opera and the art form itself accessible to a newcomer. And its rhythms and songs are so compelling and beautiful that is will pull you in. For those reasons and more, I think it makes a perfect first opera. Enjoy!
ReplyDeleteThank You!
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