Don Giovanni. Film by Peter Sellars 1990. Cast: Eugene Perry (Don G), Herbert Perry (Leporello), Lorraine Hunt (Donna Elvira), Dominique Labelle (Donna Anna), Carroll Freeman (Ottavio), Ai Lan Zhu (Zerlina), Elmore James (Masetto), James Patterson (Commendatore). Conductor: Craig Smith with the Wiener Symphoniker. Aspect ratio 4:3. Further information here
Professional self-proclaimed provocateur Peter Sellars sets his 1990 Don Giovanni film in Spanish Harlem, New York City, in a ghetto setting, which works surprisingly well with reference to the original libretto: Don Ottavio as the under-cover police officer, Donna Anna double-crossing him (as well as being a heroine addict, shooting heroine during Non mi dir). Don Giovanni and Leporello are barely distinguishable from each other (they are played by twins as well) as low-life criminals. Furthermore it is very dark throughout.
The question is not whether this will be/was/is considered controversial but rather, if it works? The concept certainly is interesting, but as everything else it is a product of it´s time and thus a certain dusty atmosphere is almost inevitable. A matte of Zeitgeist, supposedly.
That said the singers are superb, especially the Perry Twins, but most of all Lorraine Hunt (Lieberson´s) as a superb Donna Elvira.
Don Giovanni - final scene:
The bottom line:
The Perry brothers: 4
Lorraine Hunt: 5
Dominique Labelle: 4
Carroll Freeman: 4
Ai Lan Zhu: 4
Elmore James: 4
James Patterson: 4
Peter Sellars: 3-4
Craig Smith: 4
Overall impression: 3-4
I guess that the opera fans who especially like the divas are
ReplyDelete"heroine addicts."