Rosenkavalier, Deutsche Oper Berlin, March 15th 2008. Production: Götz Friedrich. Cast: Elina Garanca (Oc), Christine Schäfer (Sophie), Michaela Kaune (Marschallin), Peter Rose (Ochs). Conductor: Philippe Auguin
Judged by the tremendous applause I don´t think anyone in the audience would disagree that this was an immensely well-sung performance of the Rosenkavalier (more here)- with Elina Garanca deservedly receiving the major applause for her quite fabulous Octavian: She has everything this role requires: A beautiful firm voice (in many ways reminding of the young Christa Ludwig), a great talent for comic acting, providing an very convincing portrayal of the young boy Octavian.
Equally convincing was Peter Rose as Ochs : Wonderful low notes, a steady voice, and again, a great talent for comic acting. Funny, but never exaggerates into the ridiculous, making this Ochs a believable character, not just a parody.
Christine Schäfer was Sophie, and despite beautiful, stylish singing, the Sophie train may have left, if it was ever there: Never a specialist in innocent girls portrayals, the part does not appear to suit her dramatically. Also Michaela Kaune, a fine, but not a stand-out as the Marschallin with a beautiful voice, but somewhat lacking in characterization.
Philippe Auguin was competent, but the true flow and elegance of this music never really was transmitted to the audience. And Götz Friedrich´s production is from 1993, which shows: Stylish, but dusty. Modern in the outlook, but with no real departures from the storyline or new interpretative angles.
Christine Schäfer was Sophie, and despite beautiful, stylish singing, the Sophie train may have left, if it was ever there: Never a specialist in innocent girls portrayals, the part does not appear to suit her dramatically. Also Michaela Kaune, a fine, but not a stand-out as the Marschallin with a beautiful voice, but somewhat lacking in characterization.
Philippe Auguin was competent, but the true flow and elegance of this music never really was transmitted to the audience. And Götz Friedrich´s production is from 1993, which shows: Stylish, but dusty. Modern in the outlook, but with no real departures from the storyline or new interpretative angles.
Vienna. Garanca. Octavian. That is all.
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